This project is a title sequence interpreting the film <The Substance (2024)>'s trailer, reinterpreting the graphic language of <a planar structure where two bodies bifurcate>. Core movie scenes—administration, door, body, consumption—were simplified into semiotic shapes (point, line, plane) to express self-replication. It was planned centrally around primary color RGB contrasts and thick Gothic typography. Ultimately, the project aimed to extract characteristics from the trailer and translate them into a graphical system, proposing a planar experimental approach.